We sat in the adjacent kitchen in the dark--for we dared not strike a light--and ate bread and ham, and drank beer out of the same bottle. The curate, who was still timorous and restless, was now, oddly enough, for pushing on, and I was urging him to keep up his strength by eating when the thing happened that was to imprison us.

"It can't be midnight yet," I said, and then came a blinding glare of vivid green light. Everything in the kitchen leaped out, clearly visible in green and black, and vanished again. And then followed such a concussion as I have never heard before or since. So close on the heels of this as to seem in- stantaneous came a thud behind me, a clash of glass, a crash and rattle of falling masonry all about us, and the plaster of the ceiling came down upon us, smashing into a multitude of fragments upon our heads. I was knocked headlong across the floor against the oven handle and stunned. I was insensible for a long time, the curate told me, and when I came to we were in darkness again, and he, with a face wet, as I found afterwards, with blood from a cut forehead, was dabbing water over me.

For some time I could not recollect what what had happened. Then things came to me slowly. A bruise on my temple as- serted itself.

"Are you better?" asked the curate in a whisper.

At last I answered him. I sat up.

"Don't move," he said. "The floor is covered with smashed crockery from the dresser. You can't possibly move without making a noise, and I fancy THEY are outside."

We both sat quite silent, so that we could scarcely hear each other breathing. Everything seemed deadly still, but once something near us, some plaster or broken brickwork, slid down with a rumbling sound. Outside and very near was an intermittent, metallic rattle.

"That!" said the curate, when presently it happened again.

"Yes," I said. "But what is it?"

"A Martian!" said the curate.

I listened again.

"It was not like the Heat-Ray," I said, and for a time I was inclined to think one of the great fighting-machines had stumbled against the house, as I had seen one stumble against the tower of Shepperton Church.

Our situation was so strange and incomprehensible that for three or four hours, until the dawn came, we scarcely moved. And then the light filtered in, not through the window, which remained black, but through a triangular aperture between a beam and a heap of broken bricks in the wall behind us. The interior of the kitchen we now saw greyly for the first time.

The window had been burst in by a mass of garden mould, which flowed over the table upon which we had been sitting and lay about our feet. Outside, the soil was banked high against the house. At the top of the window frame we could see an uprooted drainpipe. The floor was littered with smashed hardware; the end of the kitchen towards the house was broken into, and since the daylight shone in there, it was evident the greater part of the house had collapsed. Con- trasting vividly with this ruin was the neat dresser, stained in the fashion, pale green, and with a number of copper and tin vessels below it, the wallpaper imitating blue and white tiles, and a couple of coloured supplements fluttering from the walls above the kitchen range.

ee um fah um so
foo swee too eem oo

“Poor old woman,” said Rezia Warren Smith, waiting to cross.

Oh poor old wretch!

Suppose it was a wet night? Suppose one’s father, or somebody who had known one in better days had happened to pass, and saw one standing there in the gutter? And where did she sleep at night?

Cheerfully, almost gaily, the invincible thread of sound wound up into the air like the smoke from a cottage chimney, winding up clean beech trees and issuing in a tuft of blue smoke among the topmost leaves. “And if some one should see, what matter they?”

Since she was so unhappy, for weeks and weeks now, Rezia had given meanings to things that happened, almost felt sometimes that she must stop people in the street, if they looked good, kind people, just to say to them “I am unhappy”; and this old woman singing in the street “if some one should see, what matter they?” made her suddenly quite sure that everything was going to be right. They were going to Sir William Bradshaw; she thought his name sounded nice; he would cure Septimus at once. And then there was a brewer’s cart, and the grey horses had upright bristles of straw in their tails; there were newspaper placards. It was a silly, silly dream, being unhappy.

So they crossed, Mr. and Mrs. Septimus Warren Smith, and was there, after all, anything to draw attention to them, anything to make a passer-by suspect here is a young man who carries in him the greatest message in the world, and is, moreover, the happiest man in the world, and the most miserable? Perhaps they walked more slowly than other people, and there was something hesitating, trailing, in the man’s walk, but what more natural for a clerk, who has not been in the West End on a weekday at this hour for years, than to keep looking at the sky, looking at this, that and the other, as if Portland Place were a room he had come into when the family are away, the chandeliers being hung in holland bags, and the caretaker, as she lets in long shafts of dusty light upon deserted, queer-looking armchairs, lifting one corner of the long blinds, explains to the visitors what a wonderful place it is; how wonderful, but at the same time, he thinks, as he looks at chairs and tables, how strange.

To look at, he might have been a clerk, but of the better sort; for he wore brown boots; his hands were educated; so, too, his profile— his angular, big-nosed, intelligent, sensitive profile; but not his lips altogether, for they were loose; and his eyes (as eyes tend to be), eyes merely; hazel, large; so that he was, on the whole, a border case, neither one thing nor the other, might end with a house at Purley and a motor car, or continue renting apartments in back streets all his life; one of those half-educated, self-educated men whose education is all learnt from books borrowed from public libraries, read in the evening after the day’s work, on the advice of well-known authors consulted by letter.